Vote for Lex Promotions at the Southern Entertainment Awards (http://www.southernentawards.com/ballot/vote.html,and get 10% off any service over $100 that we offer.Make this quick only first 100 people to email there comfirmation letter can receive this offer....
Lex Promotions and Marketing Group (LPMG) is a full service promotional and marketing company that specializes in uniting corporate companies with todays youth and urban market. The primary focus of LPMG is to utilize its strength in grass roots promotions, urban and youth marketing/promotional campaigns, mix show radio, power promotion, creative advertising, mobile advertising, outdoor marketing, and special event planning. Paired with traditional avenues such as street promotions to effectively catch the attention of a demographic notorious for rejecting direct advertising. With the continual growth of urban trends, LPMG is the ultimate outlet delivering your messsage to an audience capable of spending their disposable income on your product.
ALSO.....
DESIGN PRICING
BUSINESS CARD DESIGN (2 SIDES)
$50+
FLYER DESIGN (ALL SIZES) (2 SIDES)
$75+
CD/MIXTAPE COVER DESIGN (4.75 x 4.75) (2 SIDES)
$100+
FULL PAGE DESIGN (2 SIDES)
$150+
BROCHURE TRI-FOLD DESIGN (2 SIDES)
$150+
ONLINE-ONLY FLYER DESIGN (ONE SIDED) (LOW RESOLUTION)
$50+
11 x 17 POSTER DESIGN (1 SIDE)
$75+
18 x 24 POSTER DESIGN (1 SIDE)
$75+
LOGO DESIGN AND BRANDING
$150+
Design turnaround is generally completed in a 2-3 day period. Design prices can vary depending on amount of time necessary to complete work.
PRINTING PRICING
FLYERS
1,000 QUANTITY
5,000 QUANTITY
BUSINESS CARDS
$50
$80
4 x 6 POSTCARD FLYER
$135
$175
5 x 7 FLYER
NA
$280
6 x 9 FLYER
NA
$400
6 x 11 LARGE FLYER
NA
$450
8.5 x 5.5 HALF PAGE FLYER
NA
$320
8.5 x 11 FULL PAGE FLYER
NA
$650
11 x 17 LARGE PAGE FLYER
NA
$1500
CD INSERTS (4.75 x 4.75)
$135
$175
12 x 12 FLAT (2 SIDES) (14PT THICK)
NA
$800
All of our flyers are printed on high quality, 14pt thick paper with UV coating. Turnaround for 1,000 quantities is up to one-week, and turnaround for 5,000 quantities is generally completed within 24 hours, but may take up to 72 hours.
POSTERS
1,000 QUANTITY
5,000 QUANTITY
12 x 18 RETAIL POSTER (1 SIDE) (STANDARD PAPER)
$500
$700
18 x 24 LARGE POSTER (1 SIDE) (STANDARD PAPER)
$750
$1,000
Posters are printed on standard stock paper with UV coating. Posters are one-sided, full color print. Turnaround time for posters is generally one-week.
BROCHURES
1,000 QUANTITY
5,000 QUANTITY
8.5 x 11 TRIFOLD BROCHURE (2 SIDES) (STANDARD PAPER)
$400
$475
8.5 x 14 TRIFOLD BROCHURE (2 SIDES) (STANDARD PAPER)
$450
$525
Brochures are printed on standard stock paper with UV coating. Brouchures are double-sided, full color print. Turnaround time for brochures is generally one-week.
DOOR HANGERS
1,000 QUANTITY
5,000 QUANTITY
3.5 x 8.5 SMALL DOORHANGER
N/A
$400
4.25 x 11 LARGE DOORHANGER
N/A
$450
Door hangers are printed on high quality, 14pt thick paper with UV coating. Door hangers are double-sided, full color print, with die-cut hole. Turnaround time for door hangers is generally one-week.
CD & DVD DUPLICATION
CD DUPLICATION (WHITE CD FACE, GRAYSCALE PRINTING)
.45 CENTS EACH
DVD DUPLICATION (WHITE FACE, GRAYSCALE PRINTING)
.55 CENT EACH
In order to understand the music business, you'll need to get a grasp on this thing called copyright. Almost every time a
Musical event occurs, copyright is involved. Copyright law is one of the main influences on how music people are paid, who has to pay, and how much. Copyright is one of several kinds of intellectual property. This term describes various legal entitlements that are connected
To certain types of information and ideas in their expressed form. Intellectual property is different than physical property
because intellectual property is often intangible; it cannot always be touched. Law can protect intellectual property in similar
ways as any other form of property. Other kinds of intellectual property include:
Trademark and Service Mark - protects the name of a product or service
Patent - protects an invention or process
The history of copyright goes back very far. A nice timeline of Copyright history is here:
http://www.arl.org/pp/ppcopyright/copyresources/copytimeline.shtml
In 1710, British Parliament enacted the Statute of Anne. This law set up the idea of an authors' ownership of their own work and a fixed period of protection of that work. U.S. law has been modified many times over the years. In 1787, the U.S.
Constitution contained Article I, Section 8, Clause 8:
"Congress shall have power . . . to promote the progress of science and useful arts, by securing for limited times to authors and inventors the exclusive right to their respective writings and discoveries."
The Copyright Act of 1790 was the First Congress' implementation of the copyright provision of the U.S. Constitution. This act granted authors the right to print and publish their work for a period of fourteen years and to renew for another fourteen,
similar to the Statute of Anne. This law intended to give an incentive to authors of original works by allowing them a limited monopoly. 1831 saw the Revision of the Copyright Act, where the term of protection of copyrighted works was extended to twenty-eight years with the possibility of a fourteen-year extension, giving American authors the same protection as those in Europe at the time. A major revision of the U.S. Copyright Act was completed in 1909. The bill broadened the scope of categories
protected to include all works of authorship, and extended the term of protection to twenty-eight years with a possible renewal of twenty-eight. Most of our current copyright law is based on the 1976 Copyright Act. This law defines the author as the person who creates the work. In the case of music, this is usually the person or company that creates a song or recording. Among other things, the law give a financial incentive to create the work in the first place, and the ability to protect certain rights in the work. The 1976 revision addressed the impact of technological developments. It also anticipated the adherence of Berne Convention, bringing the U.S. into accord with international copyright law.
There are significant differences between our copyright laws and those of many foreign countries. In an effort to establish worldwide protection for the works of authors, countries have signed international treaties over the years. The United States signed on to the Universal Copyright Convention in 1955 and to the Berne Convention in 1989.
In forming and interpreting the law, government seeks a balance between the rights of the copyright owner and users. The characterization of copyright as "a limited duration monopoly" reflects one way that the law attempts to achieve this balance;
a work belongs entirely to the author(s), but only for a limited time.
Special interest groups that represent users of copyrighted material, such as broadcasters and venue owners, as well as groups representing copyright owners, such as publishers and record labels attempt to influence Congress to shape the laws in their favor. As court cases interpret the law, legal precedents are set which can influence future decisions.
The symbol for copyright is ©. Although for some uses, the law no longer requires that you display this to protect yourself, most copyright owners still display the copyright symbol.
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